Dzień Ojca

Justin Timberlake[1] will write and perform new songs for the upcoming animated film, Trolls, in which he's also slated to voice one of the characters, according to The Hollywood Reporter[2].

Timberlake will also serve as executive music producer for the DreamWorks Animation film, which is based on the famous, frizzy-haired toys. "I have always envisioned bringing the two worlds of film and music together for one epic event," Timberlake said in a statement.

In the movie, Timberlake will voice Branch, previously described by the studio as "a hardcore survivalist who hides his surprising true colors." In the movie, Branch embarks on a journey to discover his roots alongside Princess Poppy, voiced by Anna Kendrick. Trolls is directed by Mike Mitchell (Shrek Forever After) and is scheduled to open November 4th.

Trolls will mark Timberlake's first movie since 2013, when he appeared in Runner Runner[3] and the Coen Brothers' Inside Llewyn Davis[4]. The new music he'll pen for the animated feature will also be his first since that same year, when he released his two-part album[5], The 20/20 Experience[6].

Timberlake has been relatively quiet since wrapping up his extensive tour[7] behind The 20/20 Experience, in part to help raise his first child[8] with wife Jessica Biel. Last November, Timberlake appeared alongside[9] country music underdog Chris Stapleton[10] at the CMA Awards for a show-stopping performance of George Jones' "Tennessee Whiskey" and his own 20/20 cut "Drink You Away."

References

  1. ^ Justin Timberlake (www.rollingstone.com)
  2. ^ The Hollywood Reporter (www.hollywoodreporter.com)
  3. ^ Runner Runner (www.rollingstone.com)
  4. ^ Inside Llewyn Davis (www.rollingstone.com)
  5. ^ two-part album (www.rollingstone.com)
  6. ^ The 20/20 Experience (www.rollingstone.com)
  7. ^ extensive tour (www.rollingstone.com)
  8. ^ raise his first child (www.rollingstone.com)
  9. ^ Timberlake appeared alongside (www.rollingstone.com)
  10. ^ underdog Chris Stapleton (www.rollingstone.com)

Director is on losing end of spat with theaters again

For Quentin Tarantino[1], Tuesday's word that his new movie "The Hateful Eight" won't be playing in three of the U.K.'s top theater chains when it opens there on Friday must seem like deja vu all over again.

The writer-director's R-rated frontier thriller won't screen at Cineworld, Picturehouse and Curzon theaters, after the chains' executives failed to reach an agreement with the film's U.K. distributor Entertainment Film. It's a blow, because Cineworld, which also owns Picturehouse, represents around 800 screens alone.

Tarantino last month accused Disney of "extortion" after Pacific Theaters' Arclight Hollywood chose to play "Star Wars: The Force Awakens" in its famed Cinerama Dome rather than "The Hateful Eight" over the holidays.

"We love a Quentin Tarantino[3] movie, but it is with great regret that we will not be showing The Hateful Eight from Friday 8 January," Curzon Cinemas tweeted Tuesday. "On this occasion, the distributor has chosen to screen the film only in 70mm in the West End and in selected venues nationwide."

Tarantino has championed 70mm and launched "The Hateful Eight" in the U.S. with an exclusive run in 100 theaters equipped with the non-digital projection systems. The difficulties involved with screening the 70mm Tarantino film, which has been released in a two-and-a-half-hour multiplex cut and a three-hour "Roadshow" version, which includes both a musical overture and 12-minute intermission, appear to be at the center of the dispute.

In a statement Tuesday, Entertainment said the decision to not run "The Hateful Eight" was Cineworld's and that it would try to find other theaters to replace those lost.

"Cineworld had made us aware that they were very unhappy that 'The Hateful Eight' had been booked into the Odeon Leicester Square for an exclusive 70mm Ultra Panavision presentation, and specifically that they would therefore not be able to play the film at their Picturehouse Central venue," it said.

"Due to the special facilities required for the unique 70mm Ultra Panavision presentation we needed the largest theatre and screen possible in the West End and the Odeon Leicester Square was the natural choice. The technical elements and costs involved with this special presentation meant that this would need to be the exclusive West End venue. The Odeon Leicester Square seats 1,680 and Picturehouse Central only seats 344 so clearly this was not a viable alternative."

Just like in the U.S., "The Hateful Eight" will debut in the massive shadow of "Star Wars: The Force Awakens." The U.K. trails only the U.S. in terms of generating grosses for Disney's blockbuster, which has taken in $147 million there.

"The Hateful Eight," which was produced by long-time Tarantino associate Richard Gladstein's FilmColony for $44 million, debuted on the low end of expectations in the U.S. last weekend at $15.8 million. Its domestic total is $30.6 million after 11 days in release.

In addition to the theater disputes, "The Hateful Eight" was also targeted with a boycott by police unions after Tarantino made what they felt were anti-law-enforcement comments at a rally against police brutality.


Can you trump this? Fox News anchor Megyn Kelly got a movie-star makeover for Vanity Fair 's February 2016 cover story and opened up to the mag about her contentious relationship with Donald Trump following the first GOP debate last August. 
[1][2]

On the cover, which was shot by the legendary Patrick Demarchelier, Kelly poses in a Grace Kelly–esque off-the-shoulder top. Her blonde tresses are styled in a way that echoes the former Princess of Monaco's classic hairstyle, and she gives a bold stare into the lens.

The Kelly File anchor entered the spotlight after a headline-making confrontation with real estate mogul Trump during the first debate. Kelly, who moderated the session, grilled Trump about his treatment of women, prompting him to call her a "lightweight" to CNN's Don Lemon. 

Kelly told VF in her cover story, however, that Trump once thought highly of her. "He would send me press clippings about me," the former lawyer told VF about the 2016 Republican presidential hopeful. "He would just sign [them] 'Donald Trump.' And he called from time to time to compliment a segment. I didn't know why he was doing that. And then when he announced that he was running for president, it became more clear."

The hard-hitting journalist said his attempts to court her were futile. "But I can't be wooed," she shared. "I was never going to love him, and I was never going to hate him."

Kelly said that Trump and other critics questioning the validity of the now-famous sexism question she posed during the debate should do a thorough research sweep themselves. "I wrote it," she recalled. "I researched each line item myself. It was interesting to me after the debate when people started fact-checking my question. My own reaction was 'Bring it on.' You think I'd go out there and ask a question like that at the first GOP debate without making sure I was bulletproof on every single word?"

On the August 10 episode of The Kelly File, the anchor addressed the heated situation. "Mr. Trump is an interesting man who has captured the attention of the electorate. That's why he's leading in the polls," she told her viewers at the time. "Trump, who is the front-runner, will not apologize, and I certainly will not apologize for doing good journalism. So I'll continue doing my job without fear or favor. And Mr. Trump, I expect, will continue with what has been a successful campaign thus far."

The two will see each other again later this month when Kelly moderates the Fox News debate in Des Moines, Iowa, on January 28. The February 2016 issue of Vanity Fair hits newsstands on Thursday, January 7.

Want stories like these delivered straight to your inbox? Sign up now for the Us Weekly newsletter![3]

References

  1. ^ Vanity Fair's February 2016 cover story (www.vanityfair.com)
  2. ^ with Donald Trump (www.usmagazine.com)
  3. ^ Sign up no w for the Us Weekly newsletter! (www.usmagazine.com)

RTR4OK0G.jpg

Sports Illustrated swimsuit models Kelly Rohrbach, Ashley Smith (2nd R), and Hailey Clauson (R) pose together on the floor of the New York Stock Exchange, February 6, 2015. (Reuters)

Paramount has found the actress who will step into the role Pamela Anderson made famous on the cult TV series "Baywatch[1]."

Model Kelly Rohrbach[2] will play C. J. Parker in the movie reboot of the classic 90s show. Dwayne Johnson and Zac Efron star in the film, which will be directed by Seth Gordon. "San Andrea" actress Alexandra Daddario was recently tapped to play Summer (originally portrayed by Nicole Eggert).

Johnson posted a video on Instagram of him and Rohrbach running in slow motion.

For our #BAYWATCH and the iconic role of "CJ Parker" I had to make sure @kellyrohrbach was… tough.[3]

A video posted by therock (@therock) on

Johnson will also produce the film with his partner Dany Garcia through their Seven Bucks Productions banner. Montecito Pictures and Beau Flynn are producing as well, along with Michael Berk, Douglas Schwartz and Greg Bonnan.

Damian Shannon and Mark Swift wrote the latest draft of the script. Although plot details are currently vague, sources close to the project reveal that the studio is taking a comedic route with the movie. Production is expected to commence in the new few months.

Besides David Hasselhoff's Mitch Buchannon, Anderson's C.J. is arguably one of the most recognizable characters from the series.

Known more for her modeling, this would mark Rohrbach's biggest role to date. She previously appeared in smaller indie films and recently landed a supporting role in Woody Allen's next pic.


Beyonce Saartjie Baartman

(Getty Images)

Beyonce[1] is not writing a movie about Saartjie Baartman in an effort to win an Oscar, despite a widely spread yet entirely inaccurate report. Gossip Cop can exclusively correct the claim. We're told Beyonce is "not connected" to the film.

According to a report in The Sun, which was picked up by a slew of other outlets, Beyonce has "hired a team of acting coaches and writers to put together a movie about Saartjie Baartman," a real-life South African woman who was exhibited in European "freak shows" in the 1800s because of her large behind. The tabloid then quotes an ill-informed "Hollywood source" claiming Beyonce wants to do a film about Baartman because she's "desperate to be taken seriously as an actress."

The paper's same supposed "source" further alleges that Beyonce "now wants to write a screenplay that gains her respect, and hopefully awards, from the film industry, and thinks Saartjie's story could be her ticket." "Winning an Academy Award would mean everything to her, and she's a woman who is used to getting exactly what she wants," adds the tabloid's so-called "source."

And while Baartman, whose stage name was Hottentot Venus, was forced to appear in these carnival shows against her will, the British tabloid and other outlets used her body shape to make a series of crass remarks. The Sun writes that Beyonce's plan to star as Baartman is "unfortunate for Kim Kardashian and Nicki Minaj, who would no doubt have wanted to audition."

Clearly, since the newspaper didn't have any real facts, it filled its space with nonsense about how Beyonce "did coin the term Bootylicious, so she knows her stuff in this area," and editorializes that it hopes her film doesn't "hit a bum note."

Irrespective of the insensitive rearend jokes, the entire story is 100 percent inaccurate. The singer's rep exclusively tells Gossip Cop, "Beyoncé is not connected to this project, but this is a very important story to be told."

References

  1. ^ Beyonce (www.gossipcop.com)

2015 Misano MotoGP Analysis - Weather & Tires

Start of Misano MotoGP 2015

Weather played the biggest role during the 2015 San Marino Grand Prix at Misano World Circuit Marco Simoncelli. The conditions went from dry to wet, with tire choice at the top of every team's strategy over the course of the 28-lap 2015 Misano MotoGP race.

When it all wrapped up, the podium was filled by riders and teams that made smart decisions regarding tires. Repsol Honda's Marc Marquez took the win – his fourth of 2015 MotoGP. The 22-year-old Spaniard was joined on the 2015 Misano MotoGP podium by Monster Yamaha Tech 3's Bradley Smith, who didn't pit for rain tires like most of the others, and Marc VDS Racing's Scott Redding.

The San Marino GP began dry with all riders buy Ducati Team's Michele Pirro on slicks, but the race was declared wet on the second lap. A dry line formed, and the riders on rain tires were literally shredding rubber onto the track.

Many swapped back to a slick setup, including the early top-three leaders- two-time reigning MotoGP Champion Marquez and the Movistar Yamaha MotoGP duo of Valentino Rossi and Jorge Lorenzo.

Marquez was first to pit, followed by Lorenzo. But Lorenzo crashed out, leaving Marquez out front to take the win. As for Rossi, he pitted too late to swap over to the dry setup, but was able to finish 2015 Misano MotoGP in fifth, allowing him to extend his point lead to 23 over Lorenzo. Marquez is third in points, 63 behind Rossi with five rounds remaining.

Jorge was quick throughout the weekend, setting new lap records under dry conditions – a new Misano Circuit Best Record during Misano Qualifying (1:32.146) and a new Misano Circuit Record Lap (1:33.273).

Following is some tech analysis of 2015 Misano MotoGP with Masao Azuma – Chief Engineer, Bridgestone Motorcycle Tire Development Department.

Q. The big talking point at Misano last weekend was the new tarmac. How did your tire allocation at this circuit perform over the weekend, and was the decision to bring two symmetric rear slicks justified?

Masao Azuma says: "Traditionally at Misano we usually offer asymmetric rear tires, but due to the new tarmac and the improved performance of the open class bikes compared to last year, we made some changes to the tire allocation this year. The soft symmetric rear slick was offered as given the changes since last year, we needed more durability on the left shoulder of the rear tire but still wanted to offer an option with soft compound rubber on the right shoulder.

"So instead of an asymmetric soft rear slick with extra-soft rubber on the left shoulder and soft rubber on the right, we decided to provide the symmetric soft rear slick at Misano this year. For the symmetric hard option, even though we had the new tarmac to contend we actually decided to make the right shoulder of this option softer than last year to make it a more attractive race option.

"I think if track temperatures were close to 50°C on race day some riders would have selected this option for the race as it proved to be quite consistent, with better durability on the left shoulder compared to the asymmetric medium rear. The decision to offer two symmetric rear slicks was based on data we received during private testing and given how our tires performed at Misano last weekend, I think the provision of two symmetric rear slick options at Misano was justified, and indeed appreciated by the riders."

Q. Some riders that took part in private testing on the new Misano tarmac said that the grip level of the track was better in July than it was for the race, despite temperatures being hotter. Why do you think this was?

Masao Azuma says: "The private testing at Misano took place a couple of months after the circuit was re-surfaced so I think that since then the grip level has returned to more normal levels. It also seems that the grip of the tarmac isn't as sensitive to temperature as some other circuits.

"The new tarmac in the dry is still considerably better than the old surface, resulting in lap times being on average at least half a second quicker than the previous record pace. Misano sees a lot of use throughout the year which has probably polished the tarmac somewhat since private testing, so this could also account for the grip last weekend being lower than during testing. However, there is no doubt though that the surface is an improvement over last year with more grip and less bumps."

Q. What can you say about wet tire performance during the race on the new Misano tarmac?

Masao Azuma says: "It is hard to define just how the wet tires performed on Sunday as the conditions were so changeable and there was no time to find a wet setup earlier in the race weekend. The feedback we received from riders varied greatly, some saying the grip level was poor, others said it was okay while other riders commented that the grip in the wet was quite good.

"This points to different bike settings and riding styles being better adapted to the changing conditions than others and makes it hard to reach a consensus on how this new tarmac behaves in the wet. What we can see is that the new Misano asphalt dries quite quickly so it has the potential to overheat wet tires if there isn't constant rainfall. However, analyzing the rain tires used after the race, the tread pattern was still clearly defined on the vast majority of tires so durability on the abrasive tarmac was actually quite good. This is perhaps why some riders decided to continue circulating on wet tires even after a dry line appeared, as the wet tires gave good feedback on the drying asphalt."

For more visit 2015 Misano MotoGP Results.

Other articles you will enjoy: MotoGP's Ben Spies Announces Retirement 2014 World Superbike - New Superpole Format Mirrors MotoGP Qualifying MotoGP's Hayden: Lack of Honda RCV1000R Power 'a Bit Demoralizing' Marquez in Top Form at One-Day Catalunya MotoGP Test

Wednesday, September 16th 2015, 11:07 GMT

Toni Elias, the 2010 Moto2 world champion, will rejoin MotoGP in place of Claudio Corti at Forward Racing from the Aragon Grand Prix

You have viewed over 15 free stories this month. Why stop there? Click here to find out how to continue reading.

Search This Blog

Pages